01
(Scroll down to view)
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TOP:01 - CREAMY & BLACK
Fabric folds have always been something we return to. The way they fall on the body, without effort or control, creates movement and depth that feels natural rather than designed.
It was also one of the first things we learned in fashion illustration — observing how fabric shifts with the body, and translating that motion into still lines on paper.
Over time, that attention stayed. Even now, the small folds and creases often feel like the most important part.
June, 2025.
02
TOP:02 - BLACK & WHITE
This piece came from that way of seeing. It will be released toward the end of the year — a season of gatherings, celebrations, and return.
As Gen Z, there’s often a space we move within: between expression and restraint, between feeling young and needing something more grounded for family occasions, festivals, and year-end moments.
This design sits in that space — feminine, with a slight edge. Not loud, but not traditionally soft either.
December, 2025.
PANTS:02 - BEIGE & BLACK
The eyelet detail was everywhere — and honestly, we get why so many girls love it.
But here, it’s reduced. Held back slightly so the piece can exist more quietly in everyday wear.
It can be worn as it is — minimal and clean. Or it can be layered with small personal objects, keychains, or details added over time.
We liked the idea that the same piece could stay minimal for some people, but feel a little more playful and personal for others.
January, 2026.
03
TOP:03 - BEIGE & BLACK
Year of the Horse — Designed by the Horses.
From concept to design to execution, every stage was carried by a team born in the Year of the Horse. It created an immediate point of connection — personal, but shared.
What stayed consistent wasn’t speed, but a shared direction. Everyone moved with the same understanding of what this piece needed to become.
April, 2026.
Direct orders through DM
a shared wardrobe. From girls to girls
01
(Scroll down to view)
.
TOP:01 - CREAMY & BLACK
Fabric folds have always been something we return to. The way they fall on the body, without effort or control, creates movement and depth that feels natural rather than designed.
It was also one of the first things we learned in fashion illustration — observing how fabric shifts with the body, and translating that motion into still lines on paper.
Over time, that attention stayed. Even now, the small folds and creases often feel like the most important part.
June, 2025.
02
TOP:02 - BLACK & WHITE
This piece came from that way of seeing. It will be released toward the end of the year — a season of gatherings, celebrations, and return.
As Gen Z, there’s often a space we move within: between expression and restraint, between feeling young and needing something more grounded for family occasions, festivals, and year-end moments.
This design sits in that space — feminine, with a slight edge. Not loud, but not traditionally soft either.
December, 2025.
.
PANTS:02 - BEIGE & BLACK
The eyelet detail was everywhere — and honestly, we get why so many girls love it.
But here, it’s reduced. Held back slightly so the piece can exist more quietly in everyday wear.
It can be worn as it is — minimal and clean. Or it can be layered with small personal objects, keychains, or details added over time.
We liked the idea that the same piece could stay minimal for some people, but feel a little more playful and personal for others.
January, 2026.
TOP:03 - BEIGE & BLACK
Year of the Horse — Designed by the Horses.
From concept to design to execution, every stage was carried by a team born in the Year of the Horse. It created an immediate point of connection — personal, but shared.
What stayed consistent wasn’t speed, but a shared direction. Everyone moved with the same understanding of what this piece needed to become.
April, 2026.
03
Direct orders through DM
a shared wardrobe. From girls to girls